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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout;position:relative;z-index:251654656'><span style='left:0px;position:absolute;left:0px;top:-55px;width:444px;height:121px'><img width=444 height=121 style='width:4.625in;height:1.2604in' src="cid:image002.jpg@01D7E932.5F797170" v:shapes="Immagine_x0020_1"></span></span><![endif]><a name="_Hlk53068487"><b><span style='font-family:"Helvetica",sans-serif'><o:p> </o:p></span></b></a></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Helvetica",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Helvetica",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Helvetica",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Helvetica",sans-serif'><o:p> </o:p></span></i></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'>39° TORINO FILM FESTIVAL</span></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>(26 novembre - 4 dicembre 2021)<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-family:"Century Gothic",sans-serif;color:red'>I PREMI UFFICIALI / <i>OFFICIAL AWARDS</i><o:p></o:p></span></u></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif;color:#0070C0'>PREMIO STELLA DELLA MOLE PER L’INNOVAZIONE ARTISTICA</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-family:"Century Gothic",sans-serif;color:#0070C0'> <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-family:"Century Gothic",sans-serif'>STELLA DELLA MOLE AWARD FOR ARTISTIC INNOVATION</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-family:"Century Gothic",sans-serif'> </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-family:"Century Gothic",sans-serif'>a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'>MONICA BELLUCCI</span></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:8.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:8.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:8.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><!--[if gte vml 1]><v:shape id="_x0000_s1031" type="#_x0000_t75" alt="TORINO 39" style='position:absolute;margin-left:.75pt;margin-top:5.7pt;width:508.5pt;height:21.75pt;z-index:251655680;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:absolute;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout'><table cellpadding=0 cellspacing=0 align=left><tr><td width=1 height=7></td></tr><tr><td></td><td><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image004.png@01D7E932.5F797170" alt="TORINO 39" v:shapes="_x0000_s1031"></td></tr></table></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria di Torino 39 – Concorso Internazionale Lungometraggi presieduta da <b>Ildikó Enyedi</b> (Ungheria), e composta da <b>Alessandro Gassmann</b> (Italia), <b>Evgeny Galperine</b> (Francia), <b>Isabel Ivars</b> (Spagna) assegna i premi:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury of Torino 39 – <i>Feature Film Competition</i>, chaired by <b>Ildikó Enyedi</b> (Hungary), and composed of <b>Alessandro Gassmann</b> (Italy), <b>Evgeny Galperine</b> (France), <b>Isabel Ivars</b> (Spain) awards the prizes: </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt;mso-fareast-language:AR-SA'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best film</i> (18.000 €) a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>BETWEEN TWO DAWNS</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/by Selman Nacar (Turchia/Francia/Romania/Spagna)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Un film che riesce, con straordinaria capacità di scrittura e regia a raccontare una storia credibile, che ci fa ridere, emozionare e che ci sorprende. Un film maturo, diretto con sobrietà intelligente e che rivela un nuovo grande talento. </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The best film award goes to BETWEEN TWO DAWNS by Selman Nacar.<o:p></o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>A film that, with extraordinary writing and directing talent, is able to tell a believable story that makes us laugh, that moves and surprises us. A mature film, directed with intelligent sobriety, which reveals a new, big talent. The best film award goes to </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Between Two Dawns<i> by Selman Nacar.</i></span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Premio speciale della giuria</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Special Giury Award</i>, <i>ex aequo</i> a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>EL PLANETA</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di<i>/by</i> Amalia Ulman (USA/Spagna)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>FEATHERS</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di<i>/by</i> Omar El Zohairy (Francia/Egitto/Paesi Bassi/Grecia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Per la sua denuncia lievemente comica ma ugualmente emozionante dell’incerto futuro dell’Europa e del declino della società moderna esposta attraverso la particolare relazione madre e figlia. Il premio speciale della giuria ex aequo va a Amalia pullman per <i>El Planeta</i>. <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Un autore potente, audace ed espressivo che domina con maestria i numerosi livelli del linguaggio cinematografico. Il premio speciale della giuria ex aequo va a Omar El Zohairy per <i>Feathers</i>. <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>For its lightly comical but equally emotional exposure of the doubtful future of Europe and the decay of modern society through the quirky relationship of mother-daughter. The special jury award ex aequo goes to Amalia Ulman for </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>El Planeta<i>.<br>A powerful, bold, expressing author mastering so many layers of film language. The special jury award ex aequo goes to Omar El Zohary </i>for Feathers<i>.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'><o:p><span style='text-decoration:none'> </span></o:p></span></u></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior attrice</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Actress</i>, <i>ex aequo</i> a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>GONG SEUNG-YEON </span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>per il film <b><i>Aloners</i></b> di/<i>by</i> Hong Seong-eun (Corea del Sud)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:ZH-CN'>È</span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> molto difficile suscitare emozioni profonde e complesse nello spettatore solo con la propria presenza. Questa giovane attrice ci ha condotto attraverso il film con gli strumenti composti ma estremamente</span></i></span><span style='mso-bookmark:_Hlk53068487'><i> </i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>espressivi della sua arte. Il premio per la migliore attrice va a </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Gong Seung-Yeon in </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Aloners<i>.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>It is extremely difficult to raise deep and complex emotions in the audience with your sheer presence. This young actress led us through the film with extremely sattled but extremely expressive tools of her art. The award for best actress goes to Gong Seung-Yeon in </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Aloners<i>.<br><br></i><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior attore</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Actor</i> a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>FRANZ ROGOWSKY</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> per il film <b><i>Grosse Freiheit / Great Freedom</i></b> di/<i>by</i> Sebastian Meise (Austria/Germania)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Porta sulla sua faccia e sul suo corpo l’odissea raccontata dal film, attraversandola con dolore, disperazione e con un’intensità straordinaria. Il premio per il miglior attore va a Franz Rogowsky in </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Grosse Freiheit<i>.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>His face and body show the effects of the odyssey that the movie recounts, experiencing it with pain, desperation, and extraordinary intensity. The prize for best actor goes </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Franz Rogowsky in </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Grosse Freiheit<i>.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior sceneggiatura</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Script</i> a/<i>to</i>: <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>UNE JEUNE FILLE QUI VA BIEN</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Sandrine Kiberlain (Francia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Questa sembra una storia che tutti già conoscono ma è stata raccontata da una angolazione così innovativa e forte che suscita una lettura molto moderna e potente. Non è solo una storia dell’Olocausto. È una storia sull’amore per la vita e sulla scelta di non scendere a compromessi con chi attenta alla nostra libertà… perché se non li combattiamo fin dall’inizio, fin dai più piccoli segnali, potrebbe essere troppo tardi. Il premio per la migliore sceneggiatura viene assegnato a</span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> Une jeune fille qui va bien</span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:IT'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>This feels like a story everybody knows already but it has been told with such a new angle and strength that it gives to it a very modern and powerful lecture. It’s not only a holocaust story, it’s a story about love of live and about the fact that we shouldn't compromise with attempts to our liberty... because if we don't fight them from the very beginning, from the very minor signs - it might be too late. </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The award for best script goes to </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Une jeune fille qui va bien</span></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>.</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:12.0pt'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><!--[if gte vml 1]><v:shape id="_x0000_s1030" type="#_x0000_t75" alt="TORINO 39 CORTI" style='position:absolute;margin-left:0;margin-top:5.2pt;width:508.5pt;height:21.75pt;z-index:251656704;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout'><table cellpadding=0 cellspacing=0 align=left><tr><td width=0 height=7></td></tr><tr><td></td><td><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image006.png@01D7E932.5F797170" alt="TORINO 39 CORTI" v:shapes="_x0000_s1030"></td></tr></table></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria di Torino 39 Corti presieduta da <b>Ildikó Enyedi</b> (Ungheria), e composta da <b>Alessandro Gassmann</b> (Italia), <b>Evgeny Galperine</b> (Francia), <b>Isabel Ivars</b> (Spagna) assegna i premi:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury of Torino 39 <i>Shorts</i> chaired by <b>Ildikó Enyedi</b> (Hungary), and composed of <b>Alessandro Gassmann</b> (Italy), <b>Evgeny Galperine</b> (France), <b>Isabel Ivars</b> (Spain) awards the prizes: </span></span><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></u></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p><span style='text-decoration:none'> </span></o:p></span></u></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Film</i> (2.000 €) a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>BABATOURA</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Guillaume Collin (Canada)<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Premio speciale della giuria</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Special Giury Award</i> a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>NIGHT</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Ahmad Saleh (Palestina)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><!--[if gte vml 1]><v:shape id="_x0000_s1029" type="#_x0000_t75" alt="TFFDOC – Internazionale.doc
" style='position:absolute;margin-left:0;margin-top:.75pt;width:508.5pt;height:21.75pt;z-index:251657728;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout'><table cellpadding=0 cellspacing=0 align=left><tr><td width=0 height=1></td></tr><tr><td></td><td><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image008.png@01D7E932.5F797170" alt="TFFDOC – Internazionale.doc
" v:shapes="_x0000_s1029"></td></tr></table></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria di TFFDoc / Internazionale.doc, composta da <b>Catherine Bizern</b> (Francia), <b>Kristina Konrad</b> (Germania) e <b>Michael Wahrmann</b> (Israele), assegna i premi:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury of TFFDoc / Internazionale.doc, composed of <b>Catherine Bizern</b> (France, <b>Kristina Konrad</b> (Germany) and <b>Michael Wahrmann</b> (Israel), awards the prizes: </span></span><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></u></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Film</i> (6.000 €) a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>918 GAU</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> </span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>di/<i>by</i> Arantza Santesteban Perez (Spagna)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>L’autrice distoglie lo sguardo dalla vasta tradizione artistica tributata agli eroi politici. Nel sottrarsi alla sua demistificazione quale simbolo pubblico, crea un intimo autoritratto di una donna che trascura la narrazione immaginaria di una combattente per la libertà. La sua voce personale, il suo silenzio e i ricordi che sceglie confrontano le aspettative del pubblico e modellano un racconto personale potente e originale, offrendo quindi una posizione politica. Per la complessità e le tensioni dialettiche presentate in un’opera cinematografica concisa e stratificata, il premio di miglior documentario viene assegnato a </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>918 GAU<i>, di Arantza Santesteban Perez.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>With the following motivation:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>The author turns her back on the vast artistic tradition of political heroes’ portraits. While dismythifying herself as a public symbol, she creates an intimate self-portrait of a woman that neglects the imaginary narrative of a freedom fighter. Her personal voice, her silence, and the memories she chooses, confronts public expectations by forming a strong and original personal narrative, and by thus, making a true political stand. For the complexity and dialectic tensions presented in a concise and multi-layered film, the best film award goes to </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>918 GAU<i> by Arantza Santesteban Perez.<o:p></o:p></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Premio speciale della giuria</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Special Jury Award </i>a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>ANOTHER BRICK ON THE WALL</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Nan Zhang (Cina)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Ogni mattone che compone la Grande Muraglia cinese è stato trasportato dall’uomo. Un lavoro svolto da più di 800.000 uomini per più di 20 anni. Nel seguire la ricostruzione di una minima porzione di quell’antica muraglia, riusciamo a provare la dimensione dello sforzo di Sisifo affrontato quasi 2000 anni fa. Allo stesso momento, questa piccola parte della Muraglia rappresenta le diverse classi sociali e le trasformazioni della Cina moderna. Una società che abbandona gli ideali della collettività per concentrarsi sulle aspirazioni capitalistiche e personali degli individui. Per l’epica ma intima e poetica rappresentazione cinematografica, il Premio speciale della Giuria viene attribuito a </span></i></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Another Brick on the Wall<i> di Nan Zhang.<o:p></o:p></i></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></i></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>With the following motivation:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>Every brick in the great wall of China was carried up by a man. More than 800,000 men, for more than 20 years. As we follow the reconstruction of a very small part of that old wall, we feel the dimension and Sisyphean effort carried out almost 2000 years ago. At the same time, this small part of the wall portrays the different social classes and transformations of modern China. A society that moves from the collective ideals to the personal capitalist aspirations of individuals. For the epic but intimate and poetic filmmaking, the special jury award goes to </span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:black'>Another Brick on the Wall</span></span><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'> by Nan Zhang.<o:p></o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><!--[if gte vml 1]><v:shape id="_x0000_s1028" type="#_x0000_t75" alt="TFFDOC – Italiana.doc
" style='position:absolute;left:0;text-align:left;margin-left:0;margin-top:.7pt;width:508.5pt;height:21.75pt;z-index:251658752;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout'><table cellpadding=0 cellspacing=0 align=left><tr><td width=0 height=1></td></tr><tr><td></td><td><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image017.png@01D7E932.5F797170" alt="TFFDOC – Italiana.doc
" v:shapes="_x0000_s1028"></td></tr></table></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria di TFFDoc / Italiana.doc, composta da <b>Sara Fgaier</b>, <b>Annamaria Licciardello</b> e <b>Davide Maldi</b>, assegna i premi:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury of TFFDoc / Italiana.doc, composed of <b>Sara Fgaier</b>, <b>Annamaria Licciardello</b>, and <b>Davide Maldi</b>, awards the prizes: </span></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Film</i> (6.000 €) a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>RUE GARIBALDI</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Federico Francioni (Italia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>Per aver raccontato, con delicatezza, onestà e vicinanza, la storia di due persone, una sorella e un fratello, in un momento di definizione delle loro vite partecipando dei loro sogni e delle loro frustrazioni. </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>Per averci fatto vivere il loro rapporto con il mondo esterno e la città lontana, pur restando chiusi all’interno dell’intimità del loro spazio domestico che diventa rifugio.</span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'> </span></i></span><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'>Una Storia contemporanea, che ci riguarda tutti, fatta di origini che si intrecciano con un futuro da dover ancora scrivere. <o:p></o:p></span></i></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif;color:#222222;mso-fareast-language:IT'><o:p> </o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: </span></span><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222'><o:p></o:p></span></i></span></p><p class=MsoNormal style='text-align:justify;background:white'><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222'>For having recounted, with delicacy, honesty, and participation, the story of two people, a sister and a brother, at a watershed moment of their lives, sharing in their dreams and their frustrations. For having let us experience their relationship with the outside world and the distant city, all the while remaining closed within the intimacy of the domestic space that has become a refuge. A contemporary story, that regards us all, made of origins that intertwine with a future that is still to be written.</span></i></span><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'><o:p><span style='text-decoration:none'> </span></o:p></span></u></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Premio speciale della giuria</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Special Jury Award</i> a/<i>to</i>: <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>COMMEDIA ALL’ITALIANA </span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>di/<i>by</i> Fabrizio Bellomo (Italia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:black;background:white'>Con un linguaggio semplice, ironico e diretto, il regista si interroga sul presente partendo dalla sua storia familiare e da quella del nostro paese, eredità di una cultura che pesa ancora nelle nostre città e nelle nostre vite. <o:p></o:p></span></i></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif;color:black;background:white'><o:p> </o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><span style='color:black'><o:p></o:p></span></i></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:black'>Using simple, ironical, and direct language, the director reflects on the present times, starting from his family's history and that of Italy, the legacy of a culture that still weighs on our cities and our lives.</span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><!--[if gte vml 1]><v:shape id="_x0000_s1027" type="#_x0000_t75" alt="Italiana.corti" style='position:absolute;margin-left:0;margin-top:-9pt;width:508.5pt;height:21.75pt;z-index:251659776;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout;position:relative;z-index:251659776'><span style='position:absolute;left:0px;top:-12px;width:678px;height:29px'><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image019.png@01D7E932.5F797170" alt=Italiana.corti v:shapes="_x0000_s1027"></span></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria di Italiana.corti, composta da <b>Beatrice Gibson</b>, <b>Max Viale</b> e <b>Carla Vulpiani</b>, assegna i premi:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury of Italiana.corti, composed of <b>Beatrice Gibson</b>, <b>Max Viale</b> and <b>Carla Vulpiani</b>, awards the prizes: </span></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Film</i> (2.000 €) a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>GIOCHI</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> </span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>di/<i>by</i> Simone Bozzelli (Italia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;background:white'>Per il trattamento sperimentale della narrazione che rivisita il tema delle relazioni e degli affetti e per la capacità di esercitare un controllo sui vari elementi del processo filmico.<o:p></o:p></span></i></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif;color:#222222;background:white'><o:p> </o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><span style='color:#222222'><o:p></o:p></span></i></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222'>For the narration's experimental treatment, that revisits the topic of relationships and love, and for its ability to control the various elements of the filmmaking process.</span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Premio speciale della giuria</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Special Jury Award</i> a/<i>to</i>: <o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>LA NASCITA DI UN REGNO</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> di/<i>by</i> Gaia Formenti e Marco Piccarreda (Italia)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Con la seguente motivazione:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222;background:white'>Per il merito di aver perseguito una ricerca visiva potente e funzionale e per lo sforzo produttivo nell’ambito di una dimensione familiare che spazia tra mito e fantasia distopica. <o:p></o:p></span></i></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>With the following motivation: <i><span style='color:#222222'><o:p></o:p></span></i></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><i><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#222222'>For having conducted powerful and effective visual research, and for its productive effort within the scope of a family dimension that ranges between myth and dystopian fantasy.</span></i></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><!--[if gte vml 1]><v:shape id="_x0000_s1026" type="#_x0000_t75" alt="PREMIO FIPRESCI
" style='position:absolute;margin-left:0;margin-top:.75pt;width:508.5pt;height:21.75pt;z-index:251660800;visibility:visible;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:margin;mso-position-vertical:absolute;mso-position-vertical-relative:text;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:margin'>
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</v:shape><![endif]--><![if !vml]><span style='mso-ignore:vglayout'><table cellpadding=0 cellspacing=0 align=left><tr><td width=0 height=1></td></tr><tr><td></td><td><img width=678 height=29 style='width:7.0625in;height:.302in' src="cid:image021.png@01D7E932.5F797170" alt="PREMIO FIPRESCI
" v:shapes="_x0000_s1026"></td></tr></table></span><![endif]><span style='mso-bookmark:_Hlk53068487'></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><br style='mso-ignore:vglayout' clear=ALL><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>La giuria composta da Paola Casella (Italia), Anna Maria Osmólska-Metrak (Polonia) e René Marx (Francia), assegna il premio Fipresci (Premio della Federazione Internazionale della Stampa Cinematografica) per il<o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:5.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The jury composed of Paola Casella (Italy), Anna Maria Osmólska-Metrak (Poland) and René Marx (France), assigns the FIPRESCI (International Federation of Film Critics) award for the <o:p></o:p></span></span></p><p class=MsoNormal style='text-align:justify'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'>Miglior film</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#31849B'> </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>/ <i>Best Film</i> a/<i>to</i>:<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><i><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>EL PLANETA</span></i></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> </span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>di/by Amalia Ulman (USA/Spagna)<b><o:p></o:p></b></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:red'>Di seguito il programma delle repliche di domenica 5 dicembre 2021 presso il Cinema Massimo<o:p></o:p></span></u></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>MASSIMO 1</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'><o:p></o:p></span></u></b></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 15:30 <b>FEATHERS</b> di Omar El Zohairy (Francia/Olanda/Egitto/Grecia, 2021, DCP, 112’) sott.it./ Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 18:00 <b>SANTA MARADONA</b> di Marco Ponti (Italia, 2001, DCP, 99’)<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 20:30 <b>BABATOURA</b> di Guillaume Colin (Canada, 2021, DCP, 11’)<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.8pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>BETWEEN TWO DAWNS</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'> di Selman Nacar </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>(Turchia/Romania/Francia/Spagna, 2021, DCP, 91’) sott. it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 22:30 <b>NIGHT</b> di Ahmad Saleh (Palestina, 2021, DCP, 15’)<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>EL PLANETA</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'> di Amalia Ulman </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>(USA, 2021, DCP, 79’) sott. it./Eng. </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>MASSIMO 2</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'><o:p></o:p></span></u></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 14:30 <b>ANOTHER BRICK ON THE WALL</b> di Nan Zhang (Cina, 2021, DCP, 202’) sott. it./Eng. </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 18:15 <b>RUE GARIBALDI</b> di Federico Francioni (Italia, 2021, DCP, 72’) sott. it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 20:00 <b>GIOCHI</b> di Simone Bozzelli (Italia, 2021, DCP, 19’)<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>918 GAU</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'> di Arantza Santesteban Perez </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>(Spagna, 2021, DCP, 65’) sott. it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 22.00 <b>LA NASCITA DI UN REGNO</b> di Gaia Formenti e Marco Piccarreda (Italia, 2021, DCP, 32’)<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>COMMEDIA ALL’ITALIANA</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'> di Fabrizio Bellomo </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>(Italia, 2021, DCP, 54’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'><o:p> </o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>MASSIMO 3</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'><o:p></o:p></span></u></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 15:00 <b>ALONERS</b> di Hong Seong-eun (Corea del Sud, 2021, DCP, 91’) sott. it./Eng. </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 17:00 <b>RAGING FIRE</b> di Benny Chan (Hong Kong/Cina, 2021, DCP, 126’) sott. it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 19:30 <b>UNE JEUNE FILLE QUI VA BIEN</b> di Sandrine Kiberlain (Francia, 2021, DCP, 98’) sott.it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt;text-autospace:none'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:JA'>ore 21:30 <b>GROSSE FREIHEIT</b> di Sebastian Meise (Austria/Germania, 2021, DCP, 117’) sott. it./Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:IT'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;mso-fareast-language:IT'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:red'>Below is the program of repeat screenings on Sunday December 5, 2021 at the Cinema Massimo</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:12.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>MASSIMO 1</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>3:30 p.m. <b>FEATHERS</b> by Omar El Zohairy (France/Holland/Egypt/Greece 2021, DCP, 112’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>6:00 p.m. <b>SANTA MARADONA</b> by Marco Ponti (Italy, 2001, DCP, 99’)<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>8:30 p.m. <b>BABATOURA</b> by Guillaume Colin (Canada, 2021, DCP, 11’)<b><o:p></o:p></b></span></span></p><p class=MsoNormal style='margin-left:70.8pt'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>BETWEEN TWO DAWNS</span></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> by Selman Nacar </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>(Turkey/Romania/France/Spain, 2021, DCP, 91’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>10:30 p.m. <b>NIGHT</b> by Ahmad Saleh (Palestine, 2021, DCP, 15’)<b><o:p></o:p></b></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>EL PLANETA</span></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> by Amalia Ulman </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>(USA, 2021, DCP, 79’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>MASSIMO 2</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>2:30 p.m. <b>ANOTHER BRICK ON THE WALL</b> by Nan Zhang (China, 2021, DCP, 202’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>6:15 p.m. <b>RUE GARIBALDI</b> by Federico Francioni (Italy, 2021, DCP, 72’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>8:00 p.m. <b>GIOCHI</b> by Simone Bozzelli (Italy, 2021, DCP, 19’)<b><o:p></o:p></b></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>918 GAU</span></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> by Arantza Santesteban Perez </span></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>(Spain, 2021, DCP, 65’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>10:00 p.m. <b>LA NASCITA DI UN REGNO</b> by Gaia Formenti and Marco Piccarreda (Italy, 2021, DCP, 32’)<b><o:p></o:p></b></span></span></p><p class=MsoNormal style='margin-left:35.4pt;text-indent:35.4pt'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>COMMEDIA ALL’ITALIANA</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'> by Fabrizio Bellomo </span></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>(Italy, 2021, DCP, 54’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>MASSIMO 3</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>3:00p.m. <b>ALONERS</b> by Hong Seong-eun (South Korea, 2021, DCP, 91’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>5:00 p.m. <b>RAGING FIRE</b> by Benny Chan (Hong Kong/China, 2021, DCP, 126’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt'><span style='mso-bookmark:_Hlk53068487'><span lang=FR style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>7:30 p.m. <b>UNE JEUNE FILLE QUI VA BIEN</b> by Sandrine Kiberlain (France, 2021, DCP, 98’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal style='margin-left:70.5pt;text-indent:-70.5pt'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>9:30 p.m. <b>GROSSE FREIHEIT</b> by Sebastian Meise (Austria/Germany, 2021, DCP, 117’) Eng. Sub.<o:p></o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Un ringraziamento a quanti hanno sostenuto 39 Torino Film Festival<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Our thanks to all those who supported the 39<sup>th</sup> Torino Film Festival<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><u><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Il festival è stato realizzato con / </span></u></b></span><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The festival was made with:</span></u></b></span><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><u><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p><span style='text-decoration:none'> </span></o:p></span></u></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Il contributo di / </span></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The contribution of:</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Ministero per i Beni e le attività culturali e per il turismo - DG CINEMA e Audiovisivo<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Il sostegno di / </span></b></span><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>The support of:</span></b></span><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Regione Piemonte, Città di Torino, Fondazione Compagnia di San Paolo, Fondazione CRT, GTT, Associazione Museo Nazionale del Cinema<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Main Sponsors:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Intesa Sanpaolo, RAI, RAI Movie<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Mobility Partner:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>LeasysGo<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Partners:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>CIM4.0, Lingotto, Centro Commerciale Lingotto, UCI Cinemas, REAR<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Partner Culturali / Cultural Partners:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Unifrance, IED, MyMovies, Torino Film Industry, Film Commission Torino Piemonte<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Educational Partners:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Politecnico di Torino, Università degli Studi di Torino, UniVerso, Dams<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><b><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Media Partners:<o:p></o:p></span></b></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>Variety, Ciak, Cinecittà News, Fred, MoviePlayer.it<o:p></o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><p class=MsoNormal align=center style='text-align:center'><span style='mso-bookmark:_Hlk53068487'><span lang=EN-US style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'><o:p> </o:p></span></span></p><span style='mso-bookmark:_Hlk53068487'></span><p class=MsoNormal><a name="_Hlk86067706"><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p> </o:p></span></b></a></p><p class=MsoNormal><span style='mso-bookmark:_Hlk86067706'><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>UFFICIO STAMPA TORINO FILM FESTIVAL</span></b></span><span style='mso-bookmark:_Hlk86067706'></span><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p></o:p></span></p><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>Lorena Borghi</span></b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>,<b> </b></span><a href="mailto:lorena.borghi@torinofilmfest.org"><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>lorena.borghi@torinofilmfest.org</span></a><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p></o:p></span></p><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>Veronica Geraci</span></b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>,<b> </b></span><a href="mailto:geraci@museocinema.it"><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>geraci@museocinema.it</span></a><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p></o:p></span></p><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>Valentina Tua</span></b><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>, </span><a href="mailto:valentina.tua@torinofilmfest.org"><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>valentina.tua@torinofilmfest.org</span></a><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p></o:p></span></p><p class=MsoNormal><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'>con <b>Helleana Grussu </b></span><a href="mailto:press@torinofilmfest.org"><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>press@torinofilmfest.org</span></a><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'> e la collaborazione<b> </b>di<b> Serena Santoro</b><o:p></o:p></span></p><p class=MsoNormal><a href="http://www.torinofilmfest.org"><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif'>www.torinofilmfest.org</span></a><span style='font-size:10.0pt;font-family:"Century Gothic",sans-serif;color:#333333'><o:p></o:p></span></p><p class=MsoNormal><o:p> </o:p></p></div></body></html>